![]() ![]() “You from the Automobile Club?” she asks. He spots her “honey of an anklet,” and is keen to make his attractions known. ![]() It only takes seconds for Walter to be entranced by her, and the flirtatious banter begins. Her allure is quite evident, and her visual position above the other characters is easily symbolic of her control. We’re stuck at the eye level of Walter (Fred MacMurray), staring up at her as she stands at the top of a staircase, half-dressed. When we first meet Phyllis, her character is perfectly introduced through brilliant presentation. Barbara Stanwyck’s portrayal of Phyllis Dietrichson is still considered one of the all time great femme fatales as she perfectly embodies the seductress feigning helplessness who is gradually revealed to be manipulative and deadly.” Cinema scholars often refer to Barbara Stanwyck’s character of Phyllis Dietrichson in Double Indemnity(1944) as one of the top examples of the femme fatale, as her conniving spirit and good looks worked all the men in her story to her whims.Ĭinema Autopsy says, “The final key element of any film noir is the femme fatale – the beautiful woman who entraps the hero with promises of money, sex and love, only to ultimately betray him. She defied gender conventions of the time, revealing herself to be intelligent, cunning, and almost always duplicitous. The seductive and deadly femme fatale is a staple of the film noir genre. ![]()
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